Two Too Young

film no. 147


technical details:

Production K-2.

Release no. C-582.

Filmed September 8 to 12, 1936. See the 'miscellaneous' section below for details.

First previewed at the Ritz on September 23, 1936.

Negative shipped on September 30, 1936.

Title sheet prepared by Elmer Raguse on October 1, 1936.

Cutting continuity submitted October 2, 1936.

According to Maltin & Bann, this film was released on September 26, 1936, making it the 147th film in the series to be released. However, judging by the dates listed above, it seems likely that the film was released in October.

Copyrighted October 21, 1936, by Metro-Goldwyn-Mayer Pictures Corporation. Registration no. LP6694. Renewed November 1, 1963, with registration no. R324744. This copyright is currently due to expire at the end of 2031.

All-talking one-reeler.

Opening title: 'Hal Roach presents Our Gang in "Two Too Young".'

King World Productions episode no. 34a, available in both colorized and original black-and-white versions.


the crew:

Produced by Hal Roach
Credited in the film as a presenter.
Directed by Gordon Douglas
This credit appears in the film. The production sheets verify his involvement on each date from Sep. 8th through Sep. 14th.
Assistant Directors: Barney Carr, Ryan and Brandenburg
The call sheets mention Carr for the 8th, 9th and 10th, and Ryan and Brandenburg for the 11th. I don't know which of the Brandenburg brothers this is, either Ed or Chet, and there were at least three assistant directors from this era whose last name was Ryan.
Photographed by Art Lloyd and Lundsen
Lloyd received sole credit in the film, and is verified by production documents for each of the shooting dates, plus the post-production dates of Sep. 13th and 14th. Lundsen's name is added to the call sheet for Sep. 11th.
Edited by William Ziegler
This credit appears in the film. His participation is verified by the daily film reports for Sep. 9th through 14th. He was probably present on the 8th as well, for which no cutter is listed.
Sound by W. B. Delaplain
This credit appears in the film.
Prop Men: Don Sandstrom and Bob Saunders
The call sheets verify Sandstrom on the 8th, 9th and 11th, and Saunders on the 11th.
Writers: Louis McManus and Tom Bell
These two worked in the story department and were the ones who came up with the idea of using "The Charge Of The Light Brigade."
Released by Metro-Goldwyn-Mayer
Indicated in the opening title card.
Passed by the National Board of Review
As indicated in the film.
Western Electric System
As indicated in the film.
Approved by the Motion Picture Producers & Distributors of America
Certificate no. 2654.
studio personnel
general manager - David Loew until early to mid 1936. He was replaced by Mat O'Brien, who was also secretary and treasurer.
vice president in charge of production - S. S. Van Keuren
Roach's assistant on production activities - Lawrence Tarver
assistant secretary-treasurer, comptroller - Hugh Huber
film editor and sound department - Elmer Raguse
story department - Jack Jevne
casting - Joe Rivkin
publicity and advertising - Fred Purner
art department - Arthur I. Royce
construction department - C. E. Christensen
paint department - James Follette
property department - W. L. Stevens
electrical department - William Lewis
laboratory superintendent - Charles Levin
process department - Roy Seawright
still photographer - Clarence "Stax" Graves
musical director - Marvin Hatley
men's wardrobe - Harry Black
women's wardrobe - Dorothy Callahan
makeup department - Jack Casey
hairdressing - Peggy Zardo
purchasing department - Russell Walker
cashier - Mrs. M. Van Keuren
paymaster - Mrs. Grace Cash
transportation director - Bob Davis
garage - Walter Johnson
commissary - W. M. Furlong
school teacher - Fern Carter
possible uncredited involvement
writing - Hal Yates, Carl Harbaugh, Hal Law, John Guedel, Felix Adler, Harry Langdon, Richard Flournoy and Gordon Douglas may have been among the gag writers.
property department - Charles Oelze was probably involved in this capacity.
animation - Probably the work of Roy Seawright.

the kids:

Carl "Alfalfa" Switzer as "Alfalfa"
Lead role. He recites while firecrackers go off in his back pocket.
George "Spanky" McFarland as "Spanky"
Lead role. He finds a way to get Buckwheat's firecrackers away from him.
Billie "Buckwheat" Thomas as "Buckwheat"
Supporting role. The older boys take his firecrackers.
Eugene "Porky" Lee as "Porky"
Supporting role. He uses a magnifying glass to set off the firecrackers in Alfalfa's pocket.
Harold Switzer
Small part. He sits behind Buckwheat, and is also seen bumping into the G-man.
Sidney Kibrick
Extra. He sits behind Porky.
John Collum
Extra. He sits in the back of Porky's row.
Dickie DeNeut
Extra. He sits behind Harold.
Rex Downing
Extra. He sits behind Dickie.
Donald Proffitt
Extra. He sits behind Spanky.
Jerry Tucker
Extra. He sits in the second desk on the left side, but is barely noticeable until the last shot when the kids start laughing.
Barbara Goodrich
Extra. She sits two desks behind Donald.
Joe Strauch, Jr.
Extra. He isn't noticeable until the last shot of the film. It's likely that he served as a stand-in for Spanky in certain shots, since this was his main duty.
Barbara Bletcher
Extra. She sits behind Sidney.
Paul Hilton
Extra. Looking at the longshot of the kids exiting the classroom, it appears that he's the boy sitting in front of Porky.
Darla Hood
She's not in the film itself, but her photo is shown during the opening titles.
Baby Patsy May
She's not in the film itself, but her photo is shown during the opening titles.
other kids
Extras. There are five additional kids in the class. All twenty of the children in this film were present from the 8th through the 11th.

the animals:

Leo
Bit part. The MGM lion appears at the opening of the film.
Pete the Pup IV
He's not actually in the film, but his photo is shown during the opening titles.

the adults:

Rosina Lawrence as the teacher
Supporting role. She's given onscreen credit. The cutting continuity refers to her as "Rosina." She's seen frequently throughout the film. She was present on the 8th, 10th and 11th.
Ivan Atcher
Production sheets indicate that he performed stunts in this film. I'm assuming this was an adult. It's virtually certain that he was the one carrying Spanky on his shoulders. He was present on the 8th, 9th and 10th.
in still images
The Unfinished Portrait, the famous painting of George Washington, is hanging on the classroom wall.

the music:

"Good Old Days" by Leroy Shield
Copyrighted Jan. 10, 1931.
(A15.) A portion of this piece is played over the opening titles. The last verse is played as the kids laugh at Alfalfa and the end title appears.

locations:

Hal E. Roach Studios
This entire film was shot at the studio, no doubt on Stage 4.

miscellaneous:

Five shooting dates went into the making of this film. Shooting began on Sep. 8th (a day when retakes for "General Spanky" were also being shot), and continued until Sep. 11th. Studio paperwork seems to indicate that pre-production officially began on September 1st. Here's a breakdown of the activity as described on the call sheets, daily film reports and various memos. Keep in mind that the word 'scene' really means 'shot' in this case, as there were obviously not 100 scenes in the film:
Aug. 24 - A memo from this date indicates that a request was made to clear "The Charge Of The Light Brigade" for use in this film.
Sep. 3 - A memo from this date indicates that "The Charge Of The Light Brigade" was cleared for use in the film.
Sep. 4 - An item from this date mentions the name Barney Carr, who worked as an assistant director on this film. This was probably his starting date on the production.
Sep. 5 - Film costs for the previous week were $325.24.
Sep. 8 - This was the first day of shooting. Scheduled were Rosina Lawrence, Spanky, Buckwheat, Alfalfa, Porky, 16 extra kids, and stuntman Ivan Atcher. Footage was to be shot for the 'before recess' sequence, including the penmanship activity, using the interior schoolroom set. Later, footage was to be shot of scenes involving the firecrackers and Buckwheat ringing the bell, using the exterior school entrance set. After this, footage was to be shot showing Spanky and Alfalfa disguising themselves as a man, using the interior janitor's room set. This is all according to the call sheets, which were filled out prior to each day's filming. Ultimately, 19 'scenes' were shot. At this point, the film was known as "Our Gang Short." A memo from Rivkin on this date to Van Keuren, O'Brien, Huber and Cash, requests that the four main boys, plus Rosina Lawrence and Joe Strauch, Jr., be 'opened' for this production.
Sep. 9 - This was the second day of shooting. Scheduled were the four main boys, the 16 extra kids, and Ivan Atcher. Footage was to be shot showing Spanky and Alfalfa dressing up as a man, using the interior janitor's room set. Later, footage was to be shot of the 'man' wobbling down the stairs, using the exterior school entrance set. After this, teeter-totter footage was to be shot using the exterior schoolyard set. Still later, footage of Buckwheat and Porky on the teeter-totter was to be shot using the same set. Ultimately, 17 scenes were shot on this day.
Sep. 10 - This was the third day of shooting. Scheduled were Rosina Lawrence, the four main boys, the 16 extra kids, including Joe Strauch, Jr., and Ivan Atcher. Footage was to be reshot showing the 'man' wobbling down the stairs, using the exterior school entrance set. Later, more teeter-totter footage was to be shot, using the exterior schoolyard set. In the afternoon, with Lawrence's arrival, footage was to be shot for the 'after recess' sequence, including the recitation, using the interior schoolroom set. Ultimately, 28 scenes were shot. At this point, the film was still known as "Our Gang Short."
Sep. 11 - This was the fourth day of shooting. Scheduled were Rosina Lawrence, the four main boys, and the 16 extra kids. Footage was to be shot for the 'after recess' sequence, including the recitation, using the interior schoolroom set. Ultimately, 34 scenes were shot. The picture was considered 'closed' on this day. A memo from Joe Rivkin to the same four people as on Sep. 8th requested that the same six actors be 'closed' for this production.
Sep. 12 - The call sheets indicate that this was the final day of shooting. Only 2 scenes were shot, neither of which apparently requiring the presence of the cast. This is consistent with the payroll ledgers, which don't mention any day players working on this date. A memo from this date indicates that the main titles for the film were set, including the eventual title of the film. Film costs for the previous week were $2530.65, bringing the total to $2855.89 so far.
Sep. 13 - A daily film report from this date lists Douglas, Lloyd and Ziegler, which presumably means post-production was taking place.
Sep. 14 - A daily film report from this date lists Douglas, Lloyd and Zieger.
Sep. 19 - Film costs for the previous week were $614.65, bringing the total to $3470.54 so far.
Sep. 26 - Film costs for the previous week were $344.22, bringing the total to $3814.76 so far.
Sep. 29 - A memo from this date indicates that the film had been shipped to W. D. Kelly in New York.
Sep. 30 - A memo from this date indicates that the negative had been delivered to the MGM lab.
Oct. 21 - A memo from this date indicates that the Canadian negative had been delivered.

Alfalfa recites "The Charge Of The Light Brigade" by Alfred, Lord Tennyson. Written in 1854.

On September 24th, Shortly after the making of this short, the Cuming County Democrat of West Point, NB, published the following article written by Gordon Douglas, and entitled "Gags In Comedies":
"In my opinion, comedy revolving around children is composed of gags which are not only possible but quite probable to occur in a group of chilren in any neighborhood. To be sure-fire, a gag in a juvenile cast picture must have a double edge. To appeal to children, the gag must have the 'busy-ness' and hustling that a child feels when he is an 'adventurer,' such as organising a pin-show, fooling the teacher, building a 'racer' out of old boxes, or establishing a lemonade stand. Writing stories of children's pictures requires that the author keep before him at all times 'to a child, the loss of an ice cream cone is as great a tragedy and of as great importance as the loss of a million dollar is to an adult.'
"To appeal to an adult, these stories must be so natural and so true that they bring back the adult's own childhood.
"I sometimes wonder if our kid comedies aren't dramas to youngsters instead of comedy. We follow simple rules: Good is repaid with good; Honest effort is rewarded; Bad is repaid with punishment through some unexpected turn of events as though God himself had meted out the punishment.
"We know absolutely that a gag at the expense of some physical handicap will not get across.
"The best way for a gag-writer to be successful in comedies about chiildren is to listen patiently to proud parents extol the cleverness and virtues of their children or if he is fortunate enough to have children of his own to watch them.
"Hal Roach thought of making 'Our Gang' comedies when his own youngsters began performing antics which he a proud father, told his friends about and he listened to his friends' stories about their children. One day, while chucking about the day's gift of mischievous actions, it suddenly dawned on him that those could be put on the screen.
"We are at a great advantage in 'Our Gang' because of our children. They come from all parts of the United States - only one is a native of Los Angeles - and their friends are their co-actors. They attend school together. They are truly a 'gang.' Each child has a definite and distinct personality. 'Spanky' McFarland is the naturalborn leader. Darla Hood is the sweetheart of the crowd. Carl 'Alfalfa' Switzer is the one who gets himself into difficulties and represents the 'poor child' of any group of youngsters. 'Porky' Lee is the chubby little boy who eats anything and everything in sight so the rest of the youngsters must constantly be on guard against her vagaries - he's the element of unknowing annoyance. Baby Patsy May is someone's baby which the children are all fond of and toward whom they are all protective. They's all for one and one for all."

The pressbook for this film mistakenly states that Gus Meins was the director.

As of January 11, 1937, the negative cost on this film was $18,196.78

The script submitted to MGM was given the catalog number B659.

This film was 911 feet in length.


See anything that needs changing? Contact me at BtheW@aol.com.


© Robert Demoss.


My thanks to the following people for assisting with this page:
Rob Stone (for providing the production number)
Joe Moore (for providing the copyright information)
Matthew Lydick (for the correct spelling of Dickie DeNeut's last name)
Randy Skretvedt (for clearing up the confusion involving Bud and Stax Graves)
Paul Mular (for providing info on the Cabin Fever laserdiscs)


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